Installation view,  All that you can call your own you can say that you are , Pass~Port Store and Gallery, Sydney. Photo: Document Photography.
 Installation view,  All that you can call your own you can say that you are , Pass~Port Store and Gallery, Sydney. Photo: Document Photography.
 Installation view,  All that you can call your own you can say that you are,  Pass~Port Store and Gallery, Sydney. Photo: Document Photography.
 Installation view,  All that you can call your own you can say that you are , Pass~Port Store and Gallery, Sydney. Photo: Document Photography.
 Richard Spheres,  Cat at Dusk , 1988, oil on linen,  All that you can call your own you can say that you are,  Pass~Port Store and Gallery, Sydney. Photo: Document Photography.
 Installation view,  All that you can call your own you can say that you are , Pass~Port Store and Gallery, Sydney. Photo: Document Photography.
 Nick Collerson,  Archipelago , 2018, oil on linen,  All that you can call your own you can say that you are,  Pass~Port Store and Gallery, Sydney. Photo: Document Photography.
 Richard Spheres,  Cat At Dusk , 1988, oil on linen, (right) Nick Collerson,  Archipelago , 2018, oil on linen, A ll that you can call your own you can say that you are , Pass~Port Store and Gallery, Sydney. Photo: Document Photography.
 Amelia Skelton,  Shroud: 2010-2019 , 2020,  resin keyrings, artists t-shirt, second hand fabric, ink on cotton, thread, found acrylic, metal eyelets, rope, found earring, and found charm,  All that you can call your own you can say that you are,  Pa
 Richard Spheres,  Bad Luck Cat,  1991, oil on linen,  All that you can call your own you can say that you are,  Pass~Port Store and Gallery, Sydney. Photo: Document Photography.
 Catherine Flora Murray,  2, 3,  and  6,  2019, terracotta, white slip, clear glaze, cork stopper, twine, (right) Amelia Skelton,  Shroud: 2010-2019 , 2020, resin keyrings, artists t-shirt, second hand fabric, ink on cotton, thread, found acrylic, me
 Catherine Flora Murray,  2, 3,  and  6,  2019, terracotta, white slip, clear glaze, cork stopper, twine,  All that you can call your own you can say that you are , Pass~Port Store and Gallery, Sydney. Photo: Document Photography.
 Sean Wadey,  Over time this can result in pain , 2020, terracotta slip and LED light on polymer car bump,  All that you can call your own you can say that you are,  Pass~Port Store and Gallery, Sydney. Photo: Document Photography.
 Installation view,  All that you can call your own you can say that you are , Pass~Port Store and Gallery, Sydney. Photo: Document Photography.
 Installation view,  All that you can call your own you can say that you are,  Pass~Port Store and Gallery, Sydney. Photo: Document Photography.
 Installation view,  All that you can call your own you can say that you are , Pass~Port Store and Gallery, Sydney. Photo: Document Photography.
 Installation view,  All that you can call your own you can say that you are,  Pass~Port Store and Gallery, Sydney. Photo: Document Photography.
 Catherine Flora Murray,  2, 3 , and  6,  2019, terracotta, white slip, clear glaze, cork stopper, twine,  All that you can call your own you can say that you are , Pass~Port Store and Gallery, Sydney. Photo: Document Photography.
 Richard Spheres,  Bad Luck Cat,  1991, oil on linen, (right) Amelia Skelton,  Shroud: 2010-2019 , 2020, resin keyrings, artists t-shirt, second hand fabric, ink on cotton, thread, found acrylic, metal eyelets, rope, found earring, and found charm,
 Installation view,  All that you can call your own you can say that you are , Pass~Port Store and Gallery, Sydney. Photo: Document Photography.
 Amelia Skelton,  Shroud: 2010-2019 , 2020, resin keyrings, artists t-shirt, second hand fabric, ink on cotton, thread, found acrylic, metal eyelets, rope, found earring, and found charm,  All that you can call your own you can say that you are , Pas
 Richard Spheres,  Kitten n’ Bouquet,  1984 ,  oil on linen,  Cat Hunting Australian Natives , 1984, oil on linen,  All that you can call your own, you can say that you are,  Pass~Port Store and Gallery, Sydney. Photo: Document Photography.
 Richard Spheres,  Cat At Dusk,  1988, oil on linen, (below) Sean Wadey,  Over time this can result in pain , 2020, terracotta slip and LED light on polymer car bump,  All that you can call your own you can say that you are , Pass~Port Store and Gall
 Sean Wadey,  I stay high (motherfucker) , 2020, air brushed acrylic and glazed ceramic on polymer car bumper, Richard Spheres,  Cat At Dusk , 1988, oil on linen, (below) Sean Wadey,  Over time this can result in pain , 2020, terracotta slip and LED
 Sean Wadey,  I stay high (motherfucker) , 2020, air brushed acrylic and glazed ceramic on polymer car bumper, (below) Sean Wadey,  Over time this can result in pain , 2020, terracotta slip and LED light on polymer car bump,  All that you can call yo
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